
illustraton by Sabine Pieper
Inside. Again. Part of me doesn't care anymore, part of me is furious. There is zero heat in the bathroom and I have to change my towels every other day because they just don't dry.
I need a vacation desperately. I know I am complaining too much these days, but I feel so intensely exhausted. I can't seem to find comfort anywhere. Every day when my thoughts start to wander, I run away - from everyone and everything - and just starting somewhere else. (Yes, yes, it's not terribly original.) I feel as though, if things keep on this way with dad and the cold and money and work, I'm just going to fall apart. I can't find my reserves and it frightens me.
Ages ago I pre-ordered a copy of a new Isabella Blow biography (there are three out this month alone). I thought it would be a nice surprise to have it sent in November when I'd forgotten all about it. (Success, by the way - it had completely slipped my mind.) It was very exciting. C was out for the evening so I had the place to myself. I changed into my warmest, comfiest clothes and my extra-soft moccasin slippers. I got my glasses, put on some tea and settled in for a juicy read.
"But now she was gone and it would be up to [Philip Treacy and Alexander McQueen] to decide which combination would be the last to adorn her. Some of the items on the rails in her flat were easily discounted. The Givenchy suit with the glowing pinstripes came with a power source to light the stripes, which might explode when it came time to cremate her."
Are you serious? After a "thank you" introduction that reads like the Queen's Christmas card list (and involves no small measure of sycophantic flattery) and pages of "the cast of characters" (the literary version of a film voice-over and a very lazy device), the book opens with some of the most affected, effusive, and awkward prose I've ever read. I didn't get through three pages before I chucked it and turned on the TV.
What the hell is wrong with people? Can we no longer tell a story without editorializing it into some unrecognizable pulp? Isabella Blow is one of the most eccentric and interesting figures of our age. What an incredible decision for a writer to ignore that completely in favour of vulgar toadying and maudlin sentiment.
For shame, Lauren Goldstein Crowe, for shame.
g.


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